Is darren star gay
Behind the Scenes with Darren Star—and Brenda and Carrie and Emily—in Paris
Ever since he was tapped to create Beverly Hills, at the age of 27, Darren Star has had an innate sense of what audiences want. And under the tutelage of executive producer Aaron Spelling—whose legendary career of plus television credits included hits like The Mod Squad, Charlie's Angels, and Dynasty—Star honed those instincts. He envisioned as a drama about teenage life that didn't bashful away from adj issues like sex and sexuality, even when network censors and advertisers balked. It quickly became a generation-defining slap. When his follow-up, Melrose Place, didn't initially pop off when applying that same earnest tone to a group of single West Hollywood somethings, he pivoted. "Melrose Place was tanking the ratings," Star says, "and I felt there was nothing to lose. It was almost an act of desperation: 'How can I turn this ship around and create this show something just totally outrageous and soapy and watchable?'" It became appointment television.
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Darren Star Talks Emily in Paris Backlash, Sex and the City Reboot and Younger Spinoff
In mid-July, Darren Stars year-old son, Evan, called to make sure his father had remembered to tune in for the Emmy nominations. But Star — the Hollywood vet behind such culture-defining hits as Sex and the City, Beverly Hills, and Melrose Place — said hed be skipping the annual reveal, and he urged his son to steer distinct too. I didnt want him to be disappointed, he tells THR.
Not five minutes later, Stars phone rang again: His Netflix rom-com, Emily in Paris, was nominated for best comedy series. And though champagne wouldnt start flowing until his cast wrapped later that day, Star says it was the shot in the arm his French production needed. And we all went crazy, he added, during part of a larger conversation about his — and his shows — journey.
Emily in Paris centers on a character whos a bit of an ugly American …
Well, shes a beautiful ugly American, since shes pla
We’re the first to admit we heterosexual blokes haven’t always treated you, our fabulous homosexual brothers, with the respect and affection you so richly deserve.
We can only surmise at the number of times some knuckle-dragger inserted your head in an S-bend at tall school after being driven into a homophobic rage by your fashion-forward outfit, Truman Capotesque lacerating wit, or Elton John pencil case.
We can picture you now, pacing up and down your tastefully decorated bedroom thinking, “One daytime I shall I blow this tragic town, join Hollywood’s gay mafia, and create a zeitgeist-reflecting TV show revolving around four gay men cunningly disguised as self-obsessed single women.
“Then those Neanderthals shall pay, and pay dearly, for the outrageous indignities they have visited upon me and my kind.”
Well, mission accomplished. Well played, sir. It’s testament to your vile genius that you’ve managed to craft an R-rated TV show stuffed complete of material we’ll happily spend hours searching for on the internet bizarre fetishes, warm girl-on-girl action, well-known actresses ge
Tuc Watkins hasn’t just seen how gay relationships have evolved on television — he’s been a part of that evolution. On “Desperate Housewives,” Watkins portrayed one half of gay couple Bob and Lee, who became residents of Wisteria Lane in
But the year-old actor has actually been playing gay characters since the s, when he portrayed the boyfriend to Alexis Arquette’s character in the indie rom-com “I Think I Do.” In , he took on the satirical Showtime comedy-drama “Beggars and Choosers,” which ran for 42 episodes. In the show, Watkin’s character, Malcolm Laffley, came out of the closet after being accused of sexual harassment by a woman.
Now, as Colin, he returns to a unlike kind of queer culture in the Netflix series “Uncoupled,” where PrEP and sending butthole pics on Grindr are the norm and, most importantly, LGBTQ+ characters aren’t just mere accessories but full-on leads. In other words, as Colin breaks it off with Michael (Neil Patrick Harris), they don’t verb to just see the drama