Old gay film


When I was 19 some 50 very odd years ago, I cut class one day to see Midnight Cowboy in downtown Philadelphia. Celebrated for its acting and John Schlesinger’s kinetic direction, the film also contained offensive, negative images of homosexuality. I wasn’t surprised. That was expected back then. In the film, Jon Voight’s Joe Buck moves to Fresh York to verb himself to women only to wind up attracting a variety of gay men turned on by his cowboy image. At the time, I identified with the college kid played by Bob Balaban who picks him up for a rapid blow job in a 42nd Street grindhouse (not that I had the guts to perform anything like that). The most horrifying scene to me, however, was Joe’s tryst near the film’s end with an elderly guy (Barnard Hughes) whom he beats and robs. Hughes’ character seemed almost pathetically vulnerable. Was that what it meant to grow aged as a gay man? There were few depictions of homosexuals, let alone older gay men and lesbians, on screen at the time and those that existed were usually negative stereotypes like the lisping queens in ’s Some of My Best Fri

Old Hollywood movies had to follow strict guidelines throughout the s–s, known as the Hays Code. This basically prevented all US films from featuring anything that was overtly sexual or "inappropriate," which forced a lot of filmmakers to get innovative about how they could navigate potential censorship. I hold running lists on Letterboxd of every Old Hollywood and LGBTQ+ movie that I watch, so I sifted through them to uncover a bunch from the Hays Code era that are subtly (and not so subtly) suuuuuper gay. Here are some of my favorites. Enjoy!

1.Rebel Without a Cause () stars James Dean as a bisexual hottie, so you really can't request for much more. The original script had his character kissing Plato, who was one of the first gay teen characters on screen, but the Hays Code fast squashed that from happening. Still, this movie is edgy and dramatic and romantic, and the whole cast is just so adj to look at.

2.All About Eve () is a witty and toxic drama about an aging actress who befriends a fan who ultimately tries to usurp her. This movie shares the record for the most Osc

The best LGBTQ+ movies of all time

Photograph: Kate Wootton/TimeOut

With the help of leading directors, actors, writers and activists, we count down the most essential LGBTQ+ films of all time

Like queer culture itself, queer cinema is not a monolith. For a long time, though, that’s certainly how it felt. In the past, if gay lives and issues were ever portrayed at all on screen, it was typically from the perspective of white, cisgendered men. But as more opportunities have opened up for queer performers and filmmakers to tell their own stories, the scope of the LGBTQ+ experiences that have made their way onto the screen has gradually widened to more frequently include the trans community and queer people of colour.

It’s still not perfect, of course. In Hollywood, as in society at large, there are many barriers left to breach and ceilings to shatter. But those recent strides deserve to be celebrated – as do the bold films made long before the mainstream was willing to accept them. To that conclude, we enlisted some LGBTQ+ cultural pioneers, as well as Time O

10 great British gay films

Few countries can rival the UK when it comes to making excellent and diverse gay films. This may come as a surprise from a country where male homosexuality was illegal until as recently as , and where gay marriage continues to ruffle right-wingers, swivel-eyed or otherwise. Yet despite their often taboo nature, films with gay characters contain been around since the silent era.

So what key British gay films are out there? We’ve narrowed down the list to films easily available on DVD, although honourable note must go to the über-rare Two Gentlemen Sharing (), a swinging slice of the 60s that hinted at interracial homosexuality. And if you like Vicious (millions seem to), you may get a perverse kick out of Staircase (), a dreadful vehicle for Richard Burton and Rex Harrison as two ageing queens in a perpetual state of mutual- and self-loathing.

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